Inception
Glancing over at my bookshelf, it’s clear that writers love one-word titles: Choke (Chuck Palahniuk); Success (Martin Amis); Amsterdam (Ian McKewan); Vox (Nicholson Baker). But how often does title minimalism really resonate?
Check out writer Julia Keller’s reaction to the current crop of thrillers sporting one-word titles (Inception, SALT, etc) as well as her list of all-time winners and all-time duds.
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